Seedance script for Hit the Road Dude, second by second

Prompt text

[Video] 15 s, 9:16, handheld-phone look, as if a bystander filmed a parked vehicle from a few steps away.
[Cast] Image 1 is the DRIVER. Reproduce this exact face, hair or fur, skin tone, build and outfit, and never morph into another individual. If it's an animal: same species, upright in the seat, forepaws gripping the wheel, mouth working comically as it talks. If it's a toy or a drawing: make a living version with identical colours and shape.
[Place] Late afternoon by a still country pond: grassy bank, dirt track, tall trees. An unbranded white pickup (no emblems, no legible licence plate) has just pulled up with its window down and the driver's door facing the lens.
[Camera] One phone at standing height. Straight cuts only, alternating long, mid and tight framings.
[Beats] The DRIVER gestures without pause and the lips follow every line.
0-2s long frame of the driver's door, a finger jabbing at the lens. DRIVER: "Who told you you could fish here?"
2-4s a young man out of frame, unsure: "I thought it was state property."
4-5s cut to a tight shot of the DRIVER's hand resting on the sill, finger aimed at the lens. DRIVER: "State?"
5-6.4s long. DRIVER: "This?" Man: "Yeah."
6.4-7.4s mid, finger at the lens. DRIVER: "State?"
7.4-10.5s long, the DRIVER stabbing a finger downward and waving the person off. DRIVER: "Hit the road, dude. This ain't no state property, this is private property."
10.5-13.3s mid, then long again with a finger at the lens. Man: "Oh, okay."
13.3-15s tight on the DRIVER's face. DRIVER: "What is your name anyway? I want your name."
[Sound] Dialogue, faint ambience, a quietly running engine, no music. Nothing else.
[Exclude] Captions, logos, watermarks. Speech in English only.

Tips

• Upload the Driver photo as Image 1. If your tool wants tags, label it that way.
• Names of real people stay out of the script. The cast line is an anonymous driver, so nobody from the original gets imitated.
• Plans and limits differ per tool and keep shifting. Change the opening line to whatever clip length and shape your plan offers.